In this digital art era Animated movies getting lot of business in worldwide cinemas, we’ve lot of examples from famous pixar, warnerbros and disneyanimation best examples, we’re with digital artist work who sharing their knowledge from these awesome 3D Max Tutorials, Maya Lightening Tutorials, Cinema4D Tutorials, ZBrush Tutorials, Character Modeling and rendering Tutorials and 3D Animations Tutorials we focusing on beginners and advanced level artwork.

We also know these kind of professional trainings will help to learn about 3D Game developments as well using 3D software’s, most of the game developers, visual effects artist and design visualization specialists also involved in these listed 3D Artworks tutorials.

These listed tutorials also have complete projects from scratch level of 3D Animation learning, model texturing, patch modeling, box modeling, Cartoon Character designing, and polygonal modeling, all of these added in this latest “3D Max, Maya, Blender Tutorials to get Grip on Character Modeling & Animations” roundup, need your comments for arrange another useful 3D Animations and Modeling tutorials.

Making Of ‘Max and Milton’

Making Of ‘Zombie In The Closet’

Introduction
Greets everyone! My name is Yaroslav Primachenko and in this Making Of I will tell you about my last 3D work called “A zombie in the closet”. The idea for this work came to me after watching some zombie movies and playing the brilliant Plants vs. Zombies game – why are zombies always composed of parts taken from the same species, it’s so boring! These cute creatures surely deserve more, so I decided to make my own zombie and make it more creative by combining parts of different living (or should I say dead?) beings. So I drew a character called Franky – a younger brother of the famous Frankenstein monster. A freak and an outcast, hated and despised by his own family for being a vegetarian and preferring broccoli to brains. Nobody ever wrote any books or shot movies about him – his existence was a disgrace to all of his relatives. Well, there’s a skeleton in everyone’s closet, you know.

At first I wanted to make a more realistic-looking image with less saturated colors, but quickly changed my mind after drawing a sketch. I didn’t want to lose all the opportunities that a more cartoony approach gave me – like Franky sitting on his tail as if in a rocking chair, or using such deformed proportions. I tried to create a zombie that everyone would want as a pet and would love to feed with all the stuff the zombies love to eat (brains?).

Making Of ‘All Roads Lead to Rome’

Introduction
Previous to the creation of this image I did a number of renders for a gallery exhibition (Adaption Series). For this series I produced thirteen inkjet prints in total and introduced a low-poly, realistic, astronaut character with no textures whatsoever. This was a starting point for making a completely different image. I obviously wanted to do something new with a character/role I liked, so I reused two elements: a helmet and a backpack and started to model around them (Fig.01 – 02).

Character Modeling in Blender

Character modeling can be a daunting field to get into. Developing a solid character with good design and proper topology takes a lot of work. This tutorial provides an introduction to the many aspects involved with modeling a character in Blender for beginner artists.

Topics covered in this tutorial include:

Unreal Development Kit 3 Beginner’s Guide Sample Chapter: Materials

We’re continuing our “Unreal Development Kit 3 Beginner’s Guide” giveaway, and giving you a chance to get a sneak peak at some of the content this fantastic book has to offer. Below you’ll find a sample chapter which covers working with materials in UDK. If you haven’t already entered for your chance to win a copy of the book, find out how after the jump!

Earlier this year Epic Games began releasing the Unreal Development Kit free of charge, making it extremely easy for anyone to get started working with the software. You can find out more information and download the latest build at: UDK.com.

Quick Tip: Creating A Simple 3D Puzzle In Maya

In this quick tip, author Abed Ibrahim will show you a great way to create a simple 3D puzzle in Maya. Although simple in approach, this valuable technique can be used in a variety of projects, ranging from very simple puzzles to extremely complex scenes, or even animations.

3D Max Clone Modelling – Video Tutorial

Making Of ‘Monk’

Making of 3D Girl – ELLA

Rendering A 3D Stereoscopic Image With 3D Studio Max 2012

3D has experienced a massive resurgence in recent years, and become a standard in not only the film and television industries, but in video games and computer graphics as well… it’s literally everywhere. So in this tutorial Arnab Bhadra will teach you how to create your own 3D stereoscopic renders using 3D Studio Max 2012, and the free script “Render 3D” created by Andrew Dour. This is a great project for anyone interested in truly bringing their work into the 3rd dimension!

“The Warrior” – Part 1

In this tutorial you’ll go through the entire character creation pipeline using Zbrush, Maya, UVLayout and Photoshop. We’ll go through the whole process of creating the “Warrior” character including texturing and rendering with Metalray. This tutorial is divided into 8 parts and in the first part, we’ll start blocking out the character in Zbrush using Zspheres.

“The Warrior” Part 2 – Retopology In Zbrush

In part two of the Warrior tutorial, I’m going to explain how to change the meshflow of the model we created in part one. Since the mesh has been created using zspheres, the meshflow of the model is not good enough for the rest of the pipeline. So in this part we’ll look at how to correct this using the ‘Topology Tool’ in Zbrush.

Real Time Character Modeling Tutorial

Below is a short tutorial showing the method I use when modelling a real time character. This approach can also be adopted when creating subdivision surface models. I hope some of you find it informative and useful.

A summary of the key points that this tutorial will cover:

• Start with good reference material and use as much as you can.
• Using your reference as an image plane, block out the rough shape of the character using cylinders.
• When adding finer details make sure to follow the muscle lines strictly.
• You must end up with a nice clean model, symmetrical where possible.
• Try and keep to a grid system, this will give you a neat model to work with, and result in better deformation.
• Do not put polygons where they are not needed, even if this is a high-resolution model.
• Check the edges on your character thoroughly. Make sure they are flipped the correct way, what you need to avoid is faces collapsing in onto each other when the model is animated.
• Adjust the character to its final binding pose.

Making Of ‘Final Stand’

Introduction
What’s up, guys? My name is Brandon Martynowicz. I have been working as a CG matte artist/environment artist for the last six years in the film/game industry. My primary skills include modeling, texturing, shading, lighting and rendering.

I have put together a short “Making Of” of my latest personal piece, called Final Stand. This image was inspired by a quick pencil sketch I did a while back. A big part of creating this image was to keep practicing my skill-set, and to play with composition and lighting. I love doing personal projects because they give me the freedom to create what I envision, rather than being under constant art direction.

References
By starting off with a sketch, I immediately knew I wanted to create something vast in size and scale, something old-ish, dirty, grimy, urban and somewhat sci-fi-esque. This led me to Google, which lead me to the Kowloon Walled City in Hong Kong. This is a well know existing place, so references were quite easy to find. I immediately fell in love with the size, scale, weathering and amount of detail in this city (Fig.01).

Assembly/Disassembly with Particle Flow in 3Ds Max

Being creative with the dynamic systems in our 3D applications can produce stunning, exciting and elegant results. In this tutorial, Sachin Joshi walks us through one such example using Particle Flow in 3Ds Max, showing us how to assemble and disassemble objects within your scene.

Creating a Realistic Human Skin Shader Using the VrayFastSSS2 Shader

Hi guys! This tutorial shows an advanced setup for the VrayFastSSS2 shader, emphasizing the creation of a realistic shader for human skin. This can be used in cartoon characters too because of its flexibility at render times that helps both cases (realistic and cartoon). Pay attention to scale values that influence the look of the entire shader in the render. I hope you guys enjoy this tutorial and if you have any questions, please send me an email.

Making Of ‘Judge Death’

Making of ‘Kinetica’

Making of Varga by Paul Tosca

Model, UV, and Texture a Complete Manga Character in Blender – Day 1

Creating a 3d character that is equipped to be animated is one of the most challenging things you can do in CG, and to make matters worse, it has always been equally challenging to find any comprehensive tutorials on the entire workflow. Well not any more! In this 7 video long, intermediate to advanced level tutorial series, professional Blender artist, Karan Shah, will walk you through the complete creation process of a ready to animate video game character. From modeling, to UVs and texturing, to adding the final mesh topology for deformation, this series is a must see for any Blender character artist!

Making of ‘Turtle Freedom For Sale’

Introduction
I made this image for a 3D challenge about freedom. My first ideas were way too ambitious for the time I can currently spend on my personal projects and much more serious, full of contemporary meaning. But after some thought I decided to go with a lighter and funnier approach.

Concept
Even though my drawing skills are limited, sketching is still a crucial part of the process. When sketching a concept it’s really important to have in mind that you’re just drawing for yourself and that the sketches aren’t supposed to be a final result. Rather a first step towards that end (Fig.01 – 02).

Making Of ‘ Makes Me Fly’

Introduction
Hi, my name is Adrien Castel and I’m a 3D generalist at a studio based near Bordeaux in France. I made this illustration for my girlfriend. She’s the kind of girl who makes you want to become someone better so that’s why the idea was that she makes my fly!

References
As reference I used a little character I’d designed for an art toy, whose name is Buddy. As you can see in Fig.01, he’s a simple shaped character with a round head. Thanks to that I’ve been able to turn him into several different characters, simply by changing colors and adding a few details (now the game is working out who’s who!) For this particular illustration I wanted him to have better proportions – as you can see, the head is slightly smaller than in the reference.

Making of Assassin by cozmo

Hello everyone, my name is Plamen Iliev and in this article I’ll try to explain the process of creating my 3D character Assassin.

I usually use the same tools for all my 3D characters although I sometimes experiment with new ones. For this particular project I used 3ds Max 9/2008, ZBrush 3.1, BodyPaint and Photoshop. This project began as an extension to one of my comic-style drawings of a girl coming out of a flower. There was no particular story behind her but I kind of liked the flowing hair and pose and decided to give her another dimension.

Before I start modeling I usually do a lot of research. I search for particular types of faces, although I already had some concept for this one and I also browsed the web for different kinds of clothing. After that I had a general idea of what I had to model and a color palette I wanted to use.

The modeling process began with the face. I modeled the head directly in 3ds Max. I didn’t use the box-modeling technique, but the edge-extension method instead. I modeled the features first, like the eyes, the nose, and the lips, then I filled in the missing gaps. I took the ear from another project of mine. I believe it’s useful to keep a library of different objects and reuse them. Once I built the head I brought it into ZBrush and started experimenting with the Move brush. I used different photos of girls and tried to recreate their head structure. Orbiting around the face and looking at it from different angles helped a lot in working out its proportions.

3D Studio Max Low-Poly Character Modeling and Texturing

This tutorial is for the creation of Low-Poly “Portable Game Resolution” real-time characters. This tutorial is being made with 3D Studio Max and Photoshop and all program-specific instructions are for those programs. The basic techniques can be transferred to other applications if you are already very familiar with those programs.

The first thing you should ever do before even opening your 3D app is to get your ref ready. I wasn’t aiming for anything fancy or elaborate. Nothing fantasy or sci-fi. Just a guy. So I’m using photo ref. A well-drawn and proportionally accurate drawing is also a good option. If you are not confident in your drawing ability, either get someone else to draw your ref, download a drawing, or just use photographs.

Basic Cloth Simulation Tutorial

Making of ‘Private Goofy’

Introduction
Hi, my name is Jaime Otegui and I work in the film industry. In this Making Of I will try to explain how I made this image, following the main steps of its creation process. I hope it will be useful for you.

Inspiration
I’ve worked in video games since the beginning of my career and that’s why I’m used to low poly meshes and small tileable textures. Now I’m working on a 3D movie, which is why I wanted to explore high poly meshes and HD renders.

My goal with this image was to take a highly recognizable 2D character and bring him to life in 3D.
I really like Disney characters, so I thought Goofy was a good choice to achieve my goal. We have all been watching Disney characters since we were kids, so if something is wrong with a 3D approximation then you notice it quickly (Fig.01).

In this digital art era Animated movies getting lot of business in worldwide cinemas, we’ve lot of examples from famous pixar, warnerbros and disneyanimation best examples, we’re with digital artist work who sharing their knowledge from these awesome 3D Max Tutorials, Maya Lightening Tutorials, Cinema4D Tutorials, ZBrush Tutorials, Character Modeling and rendering Tutorials and 3D Animations Tutorials we focusing on beginners and advanced level artwork.

We also know these kind of professional trainings will help to learn about 3D Game developments as well using 3D software’s, most of the game developers, visual effects artist and design visualization specialists also involved in these listed 3D Artworks tutorials.

These listed tutorials also have complete projects from scratch level of 3D Animation learning, model texturing, patch modeling, box modeling, Cartoon Character designing, and polygonal modeling, all of these added in this latest “3D Max, Maya, Blender Tutorials to get Grip on Character Modeling & Animations” roundup, need your comments for arrange another useful 3D Animations and Modeling tutorials.

The hardest thing to do is to come up with the concept behind the logo, logo design is one of those thing that has to be perfected because a logo represents an idea which is brand and identity, you getting an amazing roundup that belong to famous designing tools as you know about like Adobe Photoshop, Adobe Illustrator and Corel Draw playing main role for designers to give some newest tips and tricks for create you successful brand identity, These are really cool logo products.

If you’re like my listed stuff and think you could learn more about logo design, then here are some very useful tutorials for you and give some compliments.

Quick Logos with Live Trace in Adobe Illustrator

How to Design the Firefox Logo in Photoshop

Design a Print-Ready Beer Label in Adobe Illustrator

How to make an awesome logo

Create a Silhouette Logo for a Steak House Restaurant

Photoshop Logo Jelly Remake

Dache: Logo Design Process

Green Type Treatment

Creating a crazy cool logo

Create a black and white logo

Sikbox Logo Design Process

Volks Logo Tutorial

How to Make a Badass WordPress Logo

Logo Design Process and Walkthrough for Vivid Ways

Google Chrome Logo

Amazing Nike Logo

Colorful Mac Logo

Web 2.0 Logo Reflection in Vector format with Illustrator

How to Design a Logotype from Conception to Completion

Crest Logo Tutorial in Photoshop

Digg Logo: Adobe Illustrator Tutorial

Spiderman Logo

Principles of the Logo Design Masters

Firefish Mascot

EURO 2008 Logo Design

Logo Presentation

Sony Ericsson Logo

Logo Design Process Tutorial

How to Create a Trendy Retro Type Treatment

Create a retro logo

Design a Grungy Circular Logo

Illustrative Logo: Bow the Knee

Windows Vista Desktop Themes

Create a logo identity

Wooden Text Effect in Photoshop

Modern Green Logo

Mac OS X Logo

Multimedia Business Logo

Making a Logo

Create Rainbow Logos with Warped Grids

Each tutorial giving tips and tricks in step by step, character makeup, 3D rendering, lightening effects and many other techniques they sharing with us, hope you respected readers and visitors like these stuff and leave comments.

Rihanna Digital Painting

Mouse Love

The Making of Wonded Ork by dori3d

Making of Clara

Making of “Willpower” by John Strieder

Create an Abstract Armored Sphere Scene in Cinema 4D

Making of Halloween Witch by Amber Chen, Georgia

Making of Eastern Dragon Rider

Create a Photorealistic Car Render using 3DS Max and Vray

Making of Zhou Zhuang’ by Xu Fei

Making of By the Sea by Adrian Baluta

beautiful-shinigami’s CG tut by beautiful-shinigami

Making of Portrait of a Magic Warrior

The Basketball Player by SIKU

Neoclassic Livingroom Lighting and Rendering using Maxwell Renderer

Exotique 5 cover “sweet as candy”

ed, eddie, eddie!!

Making of Radhey Shyam

Dangerous entertainment “Reader Project”

Matte Painting – Cleopatra Queen of Egypt

Making of Junk Tree Paradise

Superhero

Making of Portrait of Nathan

Making of Draws Vs Goblins

Making of “The Package They Carry” by John Strieder

The progress of modelling a Character

Making of Armada

Create an Awesome 3D Future City – Day 2

Create a Spectacular 3D Space Explosion

Making of Judithby Marta Dahlig, Poland

The Hole (Making Of)

“Gunnery Sergeant Thomas Highway” by Stanislav Klabik

“Making of Jonathan Shroud” by Mario Veltri

Making of Journey Across the Desertby Daniel Romanovsky, Canada

“Black Pearl Treasure” by Domenico Selvarolo

Advanced Multi-Channel Texturing

“Making of Rollerblades” by Alvaro Martinez

Lights and Materials inside 3ds max using Vray

“Making of Orange Armor” by Cesar Rizo

Model the Ironman Helmetby Bracer Jack, Singapore

“Making of the Blood elf ” by Ziv Qual

Blender is available for a number of OS (operating systems), including Linux, Mac OS X, and Microsoft Windows. Blender’s features include advanced simulation tools such as rigid body, fluid, cloth and soft body dynamics, modifier based modeling tools, powerful character animation tools, a node based material and composting system and Python for embedded scripting.

Background and Foreground Images

Making of ‘Princess of Madness

An Introduction to Fluid Simulations in Blender

How to Create a Toon Shaded Effect in Blender

Dissolving Objects

A Detailed Overview of the Blender Interface

Re-Topologize a Game-Ready Alien Head in Blender

Animate a Dancing Ice Cream Bar in Cinema 4D and After Effects

Blue Print Set up

Tornado With Lattice

Modeling Sponge Bob

Transparent Textures

‘Quick Tip’- How to Make a Shaky Camera Effect in Blender

Sequencer

Morphing Objects

Assembling Objects

Model, Texture, and Render a Photorealistic Kitchen in Blender and Yafaray

Curved Arrays

How to Use Blender Bullet Physics

Advanced Edge Control and Texture Mapping in Blender

Perpetual Rotation

Shrink Wrapping

Using a Specular Map

Tip: Preview Rendering

Super3boy’s 23rd Blender Tutorial(Matrix Bullet Time Effect)

Creating a Lightbulb – Part 1

Tip: Preview Rendering

Intro to Rendering in LuxRender

Sculpt, Model and Texture a Low-Poly Skull in Blender

Modeling/Texturing a Low Poly Tree

Blender Tutorial – How to model a guitar

Using Yafray with Blender – Part 1

Blender 3d model – spaceship

Creating a Wooden Barrel

Creating a Magic Wand Particle Effect – part 2

How to use Blender Game Engine Mouse Follow

Integrating a Poser Object into a Maya Scene

Outdoor Lighting with Poser8 IDL

Animation Editing

How i create my Poses

IBL Probe Map Template

A Little Tutorial About Lighting

Probe Light Nodes

Faking Bump Maps With Math Node 1

Color masking in Poser 6+

Creating Displacement Maps for use in Poser

Poser 6 Ambient Occlusion Samples

INTRODUCTION TO THE POSER GRAPH EDITOR

Yet Another Realistic Skin Technique v2.0

Inside a Material 01 – Rusty Pitted Iron

3D integration into real world Mini tutorial

Electron Microscopy in Poser

Convert all your clothing for Maddie Petite

Poser Character Tips

Better Looking Foliage

Converting conforming clothes with Poser tools {Nudity}

Cartoon rendering with IBL

Silly Poser Things

Making Translucent Skin

Video Tutorial on creating Morphs and INJ poses

Dynamic Clothing Tutorials for Victoria 4 ( poser7 )

How to Light Poser Props

Flipping Sosro Crown

HDRIs In Maya

Animating Clothing

Dynamic Fluid Simulation in RealFlow 4 & Maya 2009

Using Area Lights

Rendering Realistic Dinosaurs

REFLECTIONS PART ONE

Rig spider Leg in maya

A Better X-Ray

Baking Ambient Occlusion Using Mental Ray

Fog Density

Animating The Building Of A Car

Making of Tidus

Animating a Domino Effect

Box Modeling a Head with Maya

Chain gun in Maya tutorial

Making of the Prince

Making of the Joker

Creating a spaceship fleet using particle instance

Creating an Axe Using Nurbs In Maya

Growing Flowers in Maya

Creating CG nature

Destructing the wall using rigid bodies and particles

Making of Sohrab

Modeling Morgane

Animation Principles

Tutorial: Next Generation Modeling and Texturing

Tutorial: Fast Glossy Renders in 3ds max using Vray

Tutorial: Mapping Procedures: 3ds max to ZBrush and ZBrush to 3ds max

3ds MAX + VRay Tutorial :: Time is running

Advance Materials in Max

Advance Illumination in 3d Studio Max

Tutorial: Create Leather Material

Tutorial: Neoclassic Livingroom Lighting and Rendering

3ds Max + DeepUV Tutorial : UV MAPPING

Tutorial: Advanced Multi-Channel Texturing

water fountain tutorial

Rain Fall Animation – Tutorial for beginners

Tutorial: Lights and Materials inside 3ds max using Vray

Italian design Swept Hilt Rapier

Creating Neon Lights in Scanline

Making A Winter Scene Tutorial

Tutorial: Model the Ironman Helmet

CUSTOMIZING YOUR WOOD FLOOR – PARQUET MATERIAL

3ds Max + VRAY TUTORIAL – Studio Lighting Explained

Tutorial: Making Random Wires Using Pflow

3DS Max Tutorial – 3d Modeling And Rigging “Quad Bike”

Tutorial: Hand Modeling

Light bulb with illumination

Create icons with 3D Max

‘It’s Time for Bullets!’

Explosion Tutorial

Tutorial: Learn 3dsmax – Step by Step Architectural Modeling

HDRIs using Vray 1.5 RC3 Renderer

VIDEO: 3D Character Designers

Tutorial: Chair Modeling – Spline Technique

Video Tutorial: Female Body Modeling Part 3

This will accomplish small size files for web, more suppleness when working with 3D Flash content and adding the interactivity where the user can control or interrelate with the 3D content.

Papervision 3D Programming Tutorial – Quadtree Renderer

A ordinary problem with a software 3D rendering is deciding the order in which triangles are drawn. Why is this important? It’s significant because those triangles farthest from the camera need to be haggard first, so those closer to the camera can draw over the top of them.

Papervision 3D Programming Tutorial – Mesh Splitting

New to Papervision 2.0 is the aptitude to slice a mesh into two parts. If you have every watched the movie  Cube then you’ll have an idea what I am talking about . Gravely though, this does have some neat uses. In fact the first time I became aware of this functionality was because of a Papervision demo that allowable you to smash up a pane of glass and then have it shatter and fall to the ground. Unluckily I can’t find the demo again (I’ll link to it here if I ever do find it), but it did interest my interest.

Papervision 3D Programming Tutorial – Mouse Selection

In the Photo Slide application I showed you how to add interactivity to a Papervision 3D application. Two classes were created to allow objects to react to mouse click proceedings: PickableObjectManager and PickableObject. PickableObjectManager was accountable for feeding the mouse coordinates into the Papervision View port hitTestPoint2D function, and then formative if any PickableObject had certainly been clicked on. The PickableObject class in turn simply conventional these events and depiction suitable functions to extending classes.

Papervision 3D Programming Tutorial – Texture Smoothing

Texture smoothing is something that PC gamers have come to expect ever since the very first Voodoo 3D cards came out on the market way back when. Even today the most basic of incorporated graphics chipsets will display smoothed textures. Unluckily before Flash Player 10 there was no hardware depiction available to Flash programs, and as a result 3D engines lie Papervision typically default back to rendering textures in the same old school blocky format that now days is associated with software renderers.

Papervision Programming Tutorial – Animations

When I was looking for documentation about displaying animations in Papervision the general agreement was to use the DAE class and load up an animated Collada mesh. That seemed easy enough, until I wanted to find a polite Collada animation to use as a expression. Having artistic skills that resemble the end result of 3 year old who wedged a crayon up his nose and then sneezed on a piece of paper I was dependent on grabbing a liberally available animation off the web. Not an easy task with a Collada file.

Papervision Programming Tutorial – SkyBox

n 3D games you fairly often need to fill the sky with the far-away view of the outside world, be it the sky, a city backdrop, a star field or a mountain range. The player in the 3D world is never predictable to actually reach what is depicted in this view, but without it the player would never get a sense that they are moving inside a world bigger than the rooms or tunnels that make up an actual 3D level.

Papervision 3D Programming Tutorial – Environment Mapping

Papervision application that displayed 3D text, which could then be rotated and interacted with as you would any other Papervision object. I mentioned that some of the stimulation for that app came from the Windows “3D Text” screensaver. There was one big dissimilarity though: the screensaver displays glossy, reflective letters, whereas my app only had a solid color.

Papervision programming tutorial – 3D Text

A good logo can be eye catching, and the dissimilarity between your product attracting a customer, or being unnoticed. And an animated logo certainly does catch the eye. This tutorial shows you how to create a moving 3D text logo with Papervision

Papervision 3D Programming Tutorial – BitmapViewport

In previous demos I have shown how you can add some of the normal Flash effects to individual Papervision 3D objects, allowing you to blur, modify colors and add a glow to a 3D object. In addition to adding effects to objects, you can also add effects to the whole view port thanks to the BitmapViewport3D class. The BitmapViewport3D has a bitmap Data Property, which you can then apply a filter to with the applyFilter function. You simply supply the same standard Flash effects classes, like Blur, to the applyFilter function after rendering the scene.

3D Photo Effect

Open up a photo in Photoshop, make a new layer, then select the “rectangular marquee tool” and draw a rectangle over your photo fill it with the color white, with the rectangle still selected Goto “select > modify > contract” and contract by 15-20 pixels, then hit the delete key. Goto “edit > transform > perspective” convert the photo frame like the image below.

3D Flowery Text

In this tutorial, we will need the beautiful Suddenly Spring brushes designed by GValkyrie.

Grass Text Effect

Ever wanted to make text out of grass? Well with Photoshop you can. In this tutorial we’ll create a quite cool-looking grass-text effect using a photo of grass, the Pen Tool and a bit of endurance.

This is the first of a five-part set of tutorials where we’ll use Photoshop to make text out of all sorts of things. So let’s get prepared to Photoshop!

3D Mp3 Player

3D Mp3 Player

Today I will show you how to create a Photoshop design sell MP3 digital player logo icon in Photoshop.

3D Lego

design a lego graphy in Adobe photoshop.

3D Macbook

This tutorial is fairly a long one, so I would go get a drink now if I were you, OK we are going to make a MacBook Pro in Photoshop using shapes and dissimilar blending options, combining these two simple things we get a realistic vector outcome which can be used in many different situations, so…let’s begin

3D Wiimote

3D LCD TV

This tutorial will teach you how to create a photorealistic widescreen LCD HDTV from scratch. The LCD HDTV that we will be making is modeled after Samsung’s LCD HDTVs.

3D Cardboard Box

In this rather lengthy tutorial, you’ll learn how to create a cool, semi-realistic cardboard box icon. We’ll cover creating the basic shape of the box, as well as texturing, shading, and adding shadows to it! You can use this box icon almost anywhere: In site logos, applications buttons, the list goes on.

Cinema 4D or C4D is a commercial, cross-platform, high-end 3-D graphics application, shaped by MAXON Computer GmbH of Friedrichsdorf, Germany. Noted for its supple interface and ease of use, it is competent of technical and polygonal/subd modelling, animating, lighting, texturing and rendering.

Stylish Light in Cinema 4D and Photoshop Tutorial

Subsequent my Cinema 4D training I started playing with lights and illumination. It’s astonishing what we can do using Global Illumination. We can turn a easy scene into a very pragmatic render with complex light and shadows. Also, I’ve used Adobe Photoshop to add some post production effects.

Incredibly Realistic Water Text in Cinema 4D and Photoshop

Yesterday it was raining and I determined to create a water effect. I didn’t know what to do then I saw the desktop wallpaper I’m using, a image from the depthCORE Heist chapter shaped by Sumeco that we used of the Wallpaper of the Week 43. To create the effect, I had to use Adobe Photoshop, Illustrator and Maxon Cinema 4D.

in this tutorial I will show you how to create a water text effect. Even although it might look complex it’s a very easy effect. We will use Illustrator for the text, then Cinema 4D to make it a 3D text and Photoshop to mix the 3D with some real photos to create a nice and realistic result.

Creepy Ghost in Photoshop and Cinema 4D

In this tutorial I will show you how to create a nice ghost using Adobe Photoshop addition an image created in Cinema 4D with some photos. The procedure is easy and I will also show you how to use the Cloth feature in Cinema 4D.

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Click on the image for full preview

Bizarre Photo Treatment in Photoshop

In this tutorial I will show you this really cool photo treatment using some Image Modifications and also, we will play with the Liquefy Filter to create a crazy effect.

Reader Tutorial: Create a Cool Movie Poster in Photoshop

In this tutorial you are going to learn a few good techniques and instructions for color correction. Hope you like it. Hopefully this tutorial can advantage in your pursuit of becoming a better designer.